Four Japanese Photographers and What They Don't Have In Common With Cindy Sherman. A Recent Spring Photo-Viewing Trip To New York.
Before I start in talking about subtle, often modest scale Japanese photography and the legacy of photographic prints as intimate, introspective, and highly crafted objects, I think I need to point out that there are of course infinite ways to … Continue reading
An opinion by Jon Cone based upon the article of the same name published in the Jan/Feb 2012 issue of View Camera Magazine.
In 2002, Epson introduced their first improvement to black & white printing when they added a light black ink in the then new Epson 2200 desktop printer. It would take Epson nearly five more years before they would deliver two … Continue reading
Developing New Curriculum for Photographic Education
Note: This post is adapted from a paper by the same title originally published in The International Journal of the Book, vol.7, no. 1 Regardless of education or career path the question of how to find an audience eventually becomes … Continue reading
Camera Scanning and Raw Software
What’s happening? Only a few years back, most companies stopped making film scanners. The game was up; scanning equipment no longer pulled a profit. The future was in digital capture and the world marched on without looking back. It left … Continue reading
There is a great deal of confusion among photographers and artists, and those who sell and collect art, over exactly what the term “archival” means. Labeling a photographic print archival implies that it has met or exceeded a standard. What … Continue reading