The debate has been raging since before Lightroom came out of Beta v1: when will we be able to share Lightroom catalogues? At the very least, how can we host a catalogue on a server somewhere and just open it up on different computers one at a time? Lightroom has a restriction where it blocks access if the catalogue database is from a networked location. Adobe built Lightroom this way to keep file-locking issues and database corruption to a minimum. But when you have many computers and thousands upon thousands of files, it’s nice to be able to open the same catalogue on each computer quickly without having to plug and unplug external hard-drives.
Note: This post is adapted from a paper by the same title originally published in The International Journal of the Book, vol.7, no. 1
Regardless of education or career path the question of how to find an audience eventually becomes a singular concern for many photographers. For those entering the commercial world this is a marketing issue: how to locate clients willing to pay for services rendered. The traditional solution for fine art photographers is exhibition and publication, where cost and access are predictable barriers.
Adobe Lightroom is a fairly new and very sophisticated graphics software application that is allowing photographers to manage, optimize, catalogue, display, web view, and print their digital files. At this point it is a perfect complement to other Adobe programs, especially Photoshop. Lightroom can do what Adobe Raw and Bridge do, and a whole lot more. It does not do certain localized selective retouching and composite procedures the way that Photoshop can, at least not yet; but it can do most of the important image alterations in a very non-destructive way. Lightroom is rapidly becoming the platform of choice for digital photographers and already has most of the primary features previously only used in editing programs like Photoshop while progressing beyond with features Photoshop never had or may never have. As far as I can see, it is the most complete platform for working with digital camera files, and keeping up with all the user data associated with these files. Lightroom is composed of five modules, which are: Library, Develop, Slide Show, Print, and Web. These modules may be used together or separately according to what is needed in a person’s digital workflow. This outline contains info only on the Library, Develop, and Print modules as they apply to a working photographers primary needs.
Think about what you need to achieve before you pick up the camera.
The best way to make a great print is to know what one actually looks like. The only way to learn is by looking at a whole lot of work from great printmakers throughout history, and hopefully the best of your own time period. Looking at photography books is nice but is really looking at a simulation of a print not a real artwork (unless you are a book artist). There is no substitute for the real thing.
Originally a Photoshop file format plug-in, Adobe Camera Raw (ACR) has evolved into an essential tool for processing digital camera Raw image files. Raw processing is versatile and necessary for image quality control, workflow ease, and efficiency. It provides a powerful method for working with all aspects of digital capture. In fact, new versions of ACR can be used to reprocess legacy Raw files. A Raw file is the digital equivalent of a film latent image that hasn’t been developed. As the software improves, the processing can improve. There is no analogue to this amazing technology in traditional (film-based/wet darkroom) photography. Check the Adobe website for ACR updates regularly.